W10.2 May 10 (Fri)—CHENG SHIYI
1.Summary
Remix culture is a culture that allows and encourages the creation of derivative works through the editing of existing material, challenges exclusive copyright restrictions, promotes the idea of remixing, and facilitates the free flow of creativity. In Remix, Lessig describes the shift from a read-only culture to a read/write culture, where the advent of digital technology has redefined the way culture is created and distributed in ways that facilitate the interactive relationship between producers and consumers and democratize the production of ideas and the distribution of content.
The history of remix culture dates back to the 19th century, e.g.: according to American media scholar Henry Jenkins, but the balance between creation and consumption shifted with the advancement of analog recording and reproduction technologies.The analog era of the early 20th century, with its specialized creative equipment and cheap consumer devices, led to the strengthening of proprietary copyright restrictions and the weakening of the public domain. However, the advent of digital technology brought about fundamental changes that made remixing easier, in a way that facilitated the rise of user-generated content and a culture of sharing in the Web 2.0 era. The launch of the Creative Commons Foundation and related licenses accelerated this process, while the open-source film RiP!: A Remix Manifesto and a series of legal rulings further shaped perceptions and legal frameworks for remix culture.
Copyright law is powerless in the face of the challenges of remix culture and lacks proper protection and definition, so we need copyright reform to legitimize remix culture, address legal risks, and adapt to cultural change by introducing new licensing regimes and shorter copyright terms, among other measures.
There are these in the remix field: 1.Folklore and vocal traditions. 2.Graphic arts. 3.Books and other information. 4.Software and other digital goods. 5.Music. 6.Film and video. 7.GIFs. 8.Fan fiction. 9.TikTok. 10.Remixing in religion. The importance of remix culture in media culture is the promotion of participatory culture, where consumers become producers through sharing and creation, and play an integral role in education, which gives prominence to the importance in the development of our literature. Moreover, remix culture has influenced artists, facing the limitations and possible legal consequences of copyright laws, in turn creating an open artistic environment where works can be reinterpreted and mixed. Despite the limitations of copyright law, remixed works remain popular in the mainstream. DST provides an exemption.
Remix activism has also demonstrated significant social value in society and has become a tool for political protest and cultural subversion, particularly in the form of modelling and social media. However, there has also been criticism of remix culture being seen simply as plagiarism, noting its potential to romanticize free culture.
2.Interesting Point
In the remix field, fanfiction is also a special form that creates new stories by reworking and developing the world and characters of the original work. It demonstrates fans' love of and engagement with the original work and fosters the exchange and sharing of ideas within the community. The existence of homoerotic fiction highlights the interactivity and continuity of culture and offers a creative practice that is different from the traditional copyright model.
3.Discussion
Fanfiction, as a form of remix culture, highlights the love and engagement of fans with the original work. But it also raises questions, such as: 1. How does fanfiction balance love of the original work with respect for copyright law? 2. How does traditional copyright law adapt to the mode of remix creation and dissemination in fan culture?
I answer Q.2. Traditional copyright law faces challenges in adapting to the mode of remix creation and dissemination in fan culture. While copyright law aims to protect the rights of creators and encourage innovation, it can clash with the participatory nature of fan communities. Some argue that copyright law should be more flexible to accommodate transformative works like fanfiction, perhaps through expanded fair use provisions or specific exemptions for non-commercial fan creations. However, navigating these legal complexities requires a delicate balance between protecting intellectual property rights and fostering creative expression within fan communities.
ReplyDeleteI believe that fan fiction authors have achieved a balance between their love for original works and respect for copyright laws by maintaining non commercialization of their creations, respecting the original author's wishes, using materials legally, complying with copyright laws, and actively interacting with the original author. They strive to ensure that their works are not infringing, while demonstrating enthusiasm and respect for the original work. This balance requires the author's caution and sensitivity, as well as the understanding and support of the original author and copyright holder.
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ReplyDelete混音文化的兴起不仅在艺术领域有所体现，也在社会和政治领域产生了影响，成为了反抗传统权威和创新的工具，从而推动了社会变革和文化创新。
ReplyDeleteThe rise of remix culture has not only been reflected in the field of art, but also in the social and political fields, becoming a tool to resist traditional authority and innovation, thus promoting social change and cultural innovation.
ReplyDelete